Aflame with music : 100 years of music at the University of Melbourne

Abstract: 97152686 /mn edited by Brenton Broadstock ... [et al.] Includes bibliographical references. The Centenary of the "Con": An Introduction / Peter Tregear -- The Unwelcome Guest: Francis Ormond and the Political Origins of the Ormond Chair / Therese Radic -- How Comic is the Comic Opera / Hugh McDonald -- Handel's Giulio Cesare as a Manifesto of British Inperialism / Nicholas Routley -- Winged Idealism, Surging Power: The Climactic uses of Compound Metre in Nineteenth-Century French Opera / Roger Covell -- Carmen, Paris, 1875: Questioning the Issues / Kerry Murphy -- 4-5 October 1897: Two Evenings in Vienna / Sandra McColl -- El retablo de Maese Pedro: Manuel de Falla's Attempt at Forging a New Declamatory Style in Spanish / Michael Christoforidis -- The Germanness of English Music-Reflections on the Critical Reception of Ethel Smyth's Der Wald / Elizabeth Kertesz -- Richard Strauss and Alexander Ritter: The Making of a "Mad Extremist" / Craig De Wilde -- Words as Music: Tardieu's Chamber Theatre / Colin Duckworth -- Music Medicine: Definitions, Standards, Future Developments / Ralph Spingte -- A Quantitative Electroencephalographic Study of Responses to Music / Bruce Barber, Stephen McKenzie & Robert Helme -- "At Home" with music therapy / Jennifer Marr -- Pain, music creativity and music therapy in palliative care / Clare O'Callaghan -- Music therapy in the neonatal intensive care unit: considerations in application / Dianne Allison -- The cause of Beethoven's deafness / Peter Davis -- Composers and their physicians / John O'Shea -- An effective therapy for music performance anxiety / Rod Farnbach -- Decolonosing ethnomusicology: when peripheral voices move in from the margins / Marina Roseman -- Caught between a rock and hard place: post-colonialism and the dynamics of teaching ethnomusicology in Australia / Adrain McNeil -- Decolonising the musical instrument museum / Gregg Howard -- Listening to the "voices" of the diaspora: the symbolic-ideological narratives of Greek Rebetika music making in Adelaide / Demeter Tsounis -- Riddles and lies: instructions to the dead in the Hmong funeral ritual / Catherine Falk -- Women's gamelan groups in Central Java: some issues of gender, status and change / Aline Scott-Maxwell -- What is Australian music? / Peter Sculthorpe -- Peter Sculthorpe and Aaron Copland: defining the sound of a nation's music? / Patricia Shaw -- Percy Grainger: educator-at-large / David Pear -- Percy Grainger and the musical score: an examination of the Australian composer through his notational practices in The Warriors-Music to an Imaginary Ballet / Alessandro Servadei -- "Will my soul pass thro' Old Ireland": nostalgia for "home" in Australian popular song 1890-ca1918 / Jennifer Hill -- John Bull Jnr. vs Blinky Bill: music for an Australian Republic / Georgina Binns -- "To the children of Australia-Let your song be delicate": a Pandean Pipe Dream / Carol Williams -- Raymond Hanson (1913-76): notes towards a biography / Graham Hardie -- Keith Humble, the music maker with a message / John Whiteoak -- Mathis Lussy's Traite de l'espression musicale (1874): a Melbourne connection / David Tunley -- Schoenberg's hat and Lewis Carroll's trousers: upward and downward motion in musical space / Carl Schachter -- Schenker versus Schoenberg - a composer's dilemma / Lawrence Whiffin -- Barok's tonal mosaics / Malcom Gillies -- Simple and complex games in Bartok's Studies, Op. 18 / Helen Kasztelan -- Introduction / Naomi Cumming -- Time for postmodernism: subjectivity, free time, and music in reception aesthetics / David Bennett -- John Cage, compact discs, and the postmodern sublime / Justin Clemens -- Space in postmodern time -- Johathan Carter -- Postmodern temporalities / Linda Kouvarais -- Music and postmodernism: some observations and some responses / Jonathan Kramer -- Still listening: pluralising responses / David Bennett -- Response to Jonathan Kramer / Justin Clemens -- Women and the music conservatory / Nancy B. Reich -- Opportunity and success: the music of the women's work exhibition (1907) / Catherine Wilson -- Marriage absorbs a lot: a parable of privilege and paradox concerning the 100 Years of Music: Centennial Conference of the Faculty of Music, University of Melbourne, 1895-1995 (1995 : University of Melbourne)

Keyword(s): University of Melbourne. Faculty of Music.. Music Congresses.. Music Australia History and criticism.

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