Two issues in auditory cognition: Self-organization of octave categories and pitch-invariant pattern recognition
Journal/Book: Psychol Sci. 1996; 7: 40 West 20TH Street, New York, NY 10011-4211. Cambridge Univ Press. 142-149.
Abstract: The study of auditory and music cognition provides opportunities to explore general cognitive mechanisms in a specific, highly structured domain. We discuss two problems with implications for other domains of perception: the self-organization of perceptual categories and invariant pattern recognition. The perceptual category we consider is the octave. We show how general principles of self-organization operating on a cochlear spectral representation can yield octave categories. The example of invariant pattern recognition we consider is the recognition of invariant frequency patterns transformed to different absolute frequencies. We suggest a system that uses pitch or musical key to map tones into a pitch-invariant format.
Note: Article JJ Bharucha, Dartmouth Coll, Dept Psychol, Hanover, NH 03755 USA
Keyword(s): MUSICAL PITCH; REPRESENTATION; MEMORY; CLASSIFICATION; PERCEPTION; SEQUENCES; CONTEXT