The perceptual centre of a stimulus as the cue for synchronization to a metronome: Evidence from asynchronies

Author(s): Mates, J., Vankruysbergen, N. W.

Journal/Book: Quart J Exp Psych A-Hum Exp P. 1995; 48: 27 Palmeira Mansions, Church Rd, Hove, E Sussex, England BN3 2FA. Lawrence Erlbaum Assoc Ltd. 1024-1040.

Abstract: In tasks where subjects are required to tap in synchrony to a sequence of evenly spaced uniform auditory stimuli (a metronome), tap onsets typically tend to anticipate the metronome's stimulus onsets. We investigated this phenomenon, called ''negative asynchrony'', as a function of (1) the duration of the stimuli (1 or 2, 50, 100, and 300 msec), (2) the rise time of the stimuli (0%, 40%, and 80% of stimulus duration), and (3) the interstimulus onset interval duration (500, 700, and 900 msec). The results from three experiments with 28 different subjects showed a significant reduction of the negative asynchrony with longer stimulus durations, and the reduction was not significantly affected by the tempo of the stimulus sequence. Also, a prolongation of the rise time of the stimuli caused an analogous reduction of the negative asynchrony. Findings were taken to suggest that subjects use the perceptual centre rather than physical onset of stimulus as the cue with which to synchronize their responses to metronome stimuli. It is concluded that perceptual processes play an important role in synchronization.

Note: Article PG Vos, Univ Nijmegen, Dept Exptl Psychol, POB 9104, 6500 He Nijmegen, Netherlands

Keyword(s): P-CENTER; MUSICAL TONES; TIME; ONSET

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