Expected endings and judged duration |
Author(s):
,Journal/Book: Mem Cognit. 1993; 21: 646-65.
Abstract: In four experiments, the predictions of an expectancy/contrast model (Jones & Boltz, 1989) for judged duration were evaluated. In Experiments 1 and 2, listeners estimated the relative durations of auditory pattern pairs that varied in contextual phrasing and temporal contrast. The results showed that when the second pattern of a pair either seems to (Experiments 1 and 2) or actually does (Experiment 2) end earlier (later) than the first, subjects judge it as being relatively shorter (longer). In Experiment 3, listeners heard single patterns in which notes immediately preceding the final one were omitted. Timing of the final (target) tone was varied such that it was one beat early, on time, or one beat late. Listeners' ratings of target tones revealed systematic effects of phrasing and target timing. In Experiment 4, listeners temporally completed (extrapolated) sequences of Experiment 3 that were modified to exclude the target tone. The results again showed that phrase context systematically influenced expectancies about "when" sequences should end. As a set, these studies demonstrate the effects of event structure and anticipatory attending upon experienced duration and are discussed in terms of the expectancy/contrast model.
Keyword(s): Adult ; Auditory Perception; Music ; Vocabulary Time Perception Comparative Study; Female; Human; Male; Support, U.S. Gov't, Non P.H.S.
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