Cognitive bases of musical communication

Author(s): Holleran, Susan

Abstract: Contents: I. COMMUNICATION, MEANING, AND AFFECT IN MUSIC Robert Kraut: On the possibility of a determinate semantics for music Diana Raffmann: Proposal for a musical semantics John A. Sloboda: Empirical studies of emotional response to music II. THE INFLUENCE OF STRUCTURE ON MUSICAL UNDERSTANDING Ray Jackendoff: Musical processing and musical affect Eugene Narmour: The influence of embodied registral motion on the perception of higher-level melodic implication Mari Ries Jones: Attending to musical events III.PITCH AND THE FUNCTION OF TONALITY Diana Deutsch: The tritone paradox Helen Brown: Cognitive interpretations of functional chromaticism in tonal music David Butler: On pitch-set propertoes and perceptual attributes of the minor mode Fred Lerdahl: Pitch-space journeys in two Chopin preludes IV: ACQUISITION AND REPRESENTATION OF MUSICAL KNOWLEDGE Carol Krumhansl: Internal representations for music perception and performance Jamshed J. Bharucha: Tonality and Learnability Robert O. Gjerdingen: Revisitng Meyer's "Grammatical simplicity and relational richness" V. COMMUNICATING INTERPRETATIONS THROUGH PERFORMANCE Caroline Palmer: The role of interpretive preferences in music performance L. Henry Schaffer: How to interpret music

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