Objective analysis of musical performance

Journal/Book: Studies in the psychology of music ; v. 4.. 1936; Iowa City, Ia.,. The University press. 379.

Note: 37027578 edited by Carl E. Seashore. Includes the PH. D. thesis of H. G. Seashore, A. M. Small, P. C. Greene, M. T. Henderson, Laila Skinner and L. N. Vernon. Bibliography at end of most of the articles. The objective recording and analysis of musical performance / by C. E. Seashore -- An objective analysis of artistic singing / by H. G. Seashore -- The pitch of the attack in singing / by R. S. Miller -- An objective analysis of artistic violin performance / by A. M. Small -- Violin performance with reference to tempered, natural and Pythagorean intonation / by P. C. Greene -- The Iowa piano camera and its use / by M. T. Henderson, Joseph Tiffin, and C. E. Seashore -- A musical pattern score of the first movement of the Beethoven sonata, opus 27, no. 2 / by Laila Skinner and C. E. Seashore -- Rhythmic organization in artistic piano performance / by M. T. Henderson -- Synchronization of chords in artistic piano music / by L. N. Vernon -- Pitch: its definition and physical determinants / by Don Lewis -- Recent studies in the science of the art of speech from the Iowa laboratory / by Joseph Tiffin -- Schramm's "Approaches to a science of English verse" / by H. G. Seashore.

Keyword(s): Music Performance.. Musical analysis.

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