Inside early music : conversations with performers

Note: 96006341 /mn Bernard D. Sherman. Includes bibliographical references and index. A different sense of time: Marcel peres on plainchant -- You can't sing a footnote: Susan Hellauer on performing medieval music -- Vox feminae: Barbara Thornton on Hildegard of Bingen -- The colonozing ear: Christopher Page on medieval music -- There is no such thing as a norm: Paul Hillier on renaissance sacred music -- Other kinds of beauty: Peter Phillips on the Tallis Scholars and Palestrina -- Singing like a native: Alan Curtis, Rinaldo Alessandrini, and Anthony Rooley on Monteverdi -- Emotional logic: Andrew Lawrence-King on renaissance instrumental music and improvisation -- Consistent inconsistencies: John Butt on Bach -- "One should not make a rule": Gustav Leonhardt on baroque keyboard playing -- Aladdin's lamp: Anner Bylsma on the cello (and Vivaldi, and Brahms) -- Beyond the beautiful pearl: Julianne Baird on baroque singing -- You can never be right for all time: Nicholas McGegan on Handel -- At home with the idiom: William Christie on the French baroque -- Triple counterpoint: Jeffrey Thomas, Philippe Herreweghe, and John Butt on singing Bach -- Restoring ingredients: Malcom Bilson on the fortepiano -- Speaking Mozart's lingo: Robert Levin on Mozart and improvisation -- Taking music off the pedestal: Roger Nirrington on Beethoven -- Reviving idiosyncrasies: John Eliot Gardiner on Berlioz and Brahms -- Reinventing wheels: Joshua Rifkin on interpretation and rhetoric.

Keyword(s): Performance practice (Music). Style, Musical.. Musicians Interviews.

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